• portfolio
    • the covidian garden party: a coming of age
    • the covidian garden party
    • choreography of trust
    • playing with fire
    • exhibit 365
    • aesthetics of grief
    • norton ranch
    • invisible paradox
    • tarrant rawston manor farm
    • speech bubble
    • the caledonian hunt
    • airing it
    • group exhibitions
  • process
    • intro
    • write
    • draw
    • make
    • collaborate
    • artist in residence
  • person
    • mentor
    • play
    • bio + cv
    • contact
cat sivertsencat sivertsen
  • portfolio
    • the covidian garden party: a coming of age
    • the covidian garden party
    • choreography of trust
    • playing with fire
    • exhibit 365
    • aesthetics of grief
    • norton ranch
    • invisible paradox
    • tarrant rawston manor farm
    • speech bubble
    • the caledonian hunt
    • airing it
    • group exhibitions
  • process
    • intro
    • write
    • draw
    • make
    • collaborate
    • artist in residence
  • person
    • mentor
    • play
    • bio + cv
    • contact

invisible paradox

2-Invisible-Paradox-Swing-Eggs-facing-west
1-Invisible-Paradox-Swing-Eggs-Crystal-detail
3_Invisible_Paradox_Study_Gallery_Swing-_Eggs_Crystal_detail
4-invisible-paradox-swing5
2nd-floor
5-Invisible-Paradox-1st-floor-Swing-Eggs-Crystals-with-a-view
7-invisible-paradox-3rd-floor-view
8-invisible-paradox-outside-window-view
9-invisible-paradox-study-gallery-bldg-view

invisible paradox: When one reaches a certain age … one becomes invisible. (fact)

Our society values youth as beauty and beauty as youth. Rarely do we find maturity, experience and grace on ‘tinder’.

The installation presents the contradiction of presence through invisibility through the notions of fecundity and the fragility of beauty as transcedental in the medium of time.

The installation was designed specifically for the ‘The Study Gallery’ in Poole College, Dorset, England. A swing, hundreds of crystal beads and glass eggs encompassed the ground floor up which was open to the third floor (on the diagonal of glass walls). The concept asked the viewer (and the artist) to look at the divide, on that diagonal, between inside and out, interior/exterior, truth/myth, and of course youth and the ever present aging.

The second floor presented was a work in progress idea of objects of stacked etched glass, a performance video, cast objects, and photographs. History informing the present – so to speak.



© [2022] · cat sivertsen